Cheraghha Ra Man Khamoosh Mikonam (I’ll Turn Off the Lights)
Author: Zooya Pirzad
Genre: Women Fiction
Publication Year: 2001
Zooya Pirzad, a celebrated name in Iranian literature, is best known for her widely acclaimed novel, Cheraghha Ra Man Khamoosh Mikonam (I’ll Turn Off the Lights). This masterful work, first published in 2001, quickly captured the attention of readers and critics alike, solidifying Pirzad’s reputation as a poignant voice in Persian fiction. Her narratives often center on women and their complex roles within families and society, and this novel is no exception.
Set in the mid-1960s in Abadan, a city shaped by its oil industry and multicultural population, the story unfolds in the residential quarters of the National Iranian Oil Company. The narrator, Clarisse Ayvazian, is an Armenian housewife who lives with her husband and three children. Through Clarisse’s introspective lens, the novel explores themes of routine, identity, dissatisfaction, and self-neglect.
Pirzad’s storytelling is quietly powerful, delving into the minutiae of daily life with a sharp eye for detail. Clarisse’s world is a blend of the ordinary and the profound: caring for her family, interacting with neighbors, and navigating societal expectations. Beneath the surface, however, lies a deep sense of longing and restlessness, as she grapples with her unfulfilled aspirations and the subtle erosion of her individuality.
A key strength of the novel is its nuanced portrayal of women’s lives in mid-20th-century Iran. Clarisse is both a product of her time and a universal figure, embodying the struggles many women face in balancing family, societal norms, and personal desires. Pirzad masterfully portrays the emotional isolation that can arise in marriage and motherhood, as well as the quiet resilience of her protagonist.
The setting of Cheraghha Ra Man Khamoosh Mikonam adds another layer of richness to the narrative. Abadan, with its unique cultural mosaic and bustling oil economy, serves as more than just a backdrop—it’s an integral part of the story. Pirzad captures the atmosphere of the oil company’s residential community with vivid authenticity, weaving it seamlessly into the fabric of Clarisse’s life.
The prose is elegant yet understated, reflecting the restrained tone of the narrative. Pirzad’s ability to render the seemingly mundane with emotional depth is remarkable, drawing readers into Clarisse’s internal world. The slow pace of the novel mirrors the monotony of the protagonist’s life, allowing readers to fully immerse themselves in her experiences and struggles.
Critics and readers alike have praised Cheraghha Ra Man Khamoosh Mikonam for its subtlety and emotional resonance. It’s a novel that doesn’t rely on grand events or dramatic twists; instead, it finds its power in the everyday moments and the quiet strength of its central character. While some readers may find the slow pacing challenging, others will appreciate its reflective, contemplative nature.
In conclusion, Cheraghha Ra Man Khamoosh Mikonam is a beautifully crafted exploration of womanhood, identity, and the quiet battles fought within the confines of domestic life. Zooya Pirzad’s keen insights into human emotion and her ability to breathe life into her characters make this novel a timeless work of Persian literature. It is a must-read for those interested in stories of self-discovery and the intricate dynamics of family and society.