hamed
@hamed Nov. 18, 2024, 7:20 p.m.


New Rubaei Posted: Quatrain 64 from Rubaiyat of Rumi

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Quatrain 64 from Rubaiyat of Rumi

Description: English Translation of the Quatrain

Time will shorten this moment.
And the wolf of annihilation will scatter this flock.

In everyone's head is a pride,
But the flood of death will chase all of them.

Analysis of the Quatrains

The Impermanence of Life: The poet emphasizes the fleeting nature of life, comparing it to a brief moment and a flock that will be scattered.
The Inevitability of Death: The "wolf of annihilation" symbolizes death, which is presented as an inevitable force that will overcome all.
The Futility of Pride: The poet highlights the futility of human pride, suggesting that death will ultimately humble everyone.

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hamed
@hamed Nov. 18, 2024, 7:17 p.m.


New Rubaei Posted: Quatrain 63 from Rubaiyat of Rumi

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Quatrain 63 from Rubaiyat of Rumi

Description: English Translation of the Quatrain

If I die, bring me to you,
And entrust my dead body to you.
If you kiss my decayed lips,
Don't be surprised if I come back to life.

Analysis of the Quatrains

A Plea for Union: The poet expresses a deep longing for union with the beloved, even after death.
The Power of Love: The act of kissing the dead lips is symbolic of the transformative power of love, suggesting that even death cannot separate the lovers.
Spiritual Rebirth: The final line hints at the possibility of spiritual rebirth or resurrection through the power of love.

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hamed
@hamed Nov. 18, 2024, 7:14 p.m.


New Rubaei Posted: Quatrain 62 from Rubaiyat of Rumi

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Quatrain 62 from Rubaiyat of Rumi

Description: English Translation of the Quatrain

If life ends, God will give another life.
If the life of perishability doesn’t remain, then the life of eternity will.

Love is the water of life, come into this water.
Every drop of this ocean of life is separate.

Analysis of the Quatrains

The Cycle of Life and Death: The first two lines explore the concepts of life, death, and the possibility of an eternal life.
Love as the Water of Life: Love is presented as a source of life and immortality.
The Unity and Diversity of Life: The final line suggests that all life is interconnected, yet each individual life is unique.

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hamed
@hamed Nov. 18, 2024, 7:12 p.m.


New Rubaei Posted: Quatrain 61 from Rubaiyat of Rumi

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Quatrain 61 from Rubaiyat of Rumi

Description: English Translation of the Quatrain

If you seek your self, go beyond yourself.
Leave the river and go towards the Jihon.

Like a cow, why do you carry the world's burden?
Turn around and come above this world.

Analysis of the Quatrains

The Journey Beyond Self: The poet encourages a journey beyond the ego or the self, suggesting a spiritual quest.
Geographical Imagery: The rivers Jihon (or Amu Darya) is a significant geographical feature in Persian literature, often symbolizing a journey or a spiritual path.
The Burden of the World: The comparison to a cow carrying a burden suggests the heaviness of worldly attachments and concerns.
Transcendence: The final line calls for a radical shift in perspective, suggesting the possibility of rising above the limitations of the material world.

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hamed
@hamed Nov. 18, 2024, 6:37 p.m.


New Movie Posted: The Sealed Soil

Check out the latest movie posted by hamed:
The Sealed Soil

A young woman in pre-revolution Iran persistently rejects her suitors and removes her hood, causing her family to seek the help of an exorcist.
This film has a strong social message (poverty, a girl who past 18 loses marriageability and secretly learns to read, her nervous breakdown ensuing the surrounding pressure and the viperine hints that she might be possessed until she starts feeling possessed, moving to a town and the incumbent servitude of debts for a new house, the real estate vulturelike schemes to eject villagers and take advantage of the left.
Hard to make a film about tedious lives without being tedious, and this is no exception. O how weary I am of all this minimalism... Yet it's not at all unpleasant to look at and improves substantially in its last half hour after a key scene in a downpour that in a few moments communicates more than most "minimalist" films, or films on a feminist theme, do in their entire 90 minute or 4 hour or whatever run times.

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hamed
@hamed Nov. 18, 2024, 6:24 p.m.


New Hekayat Posted: Hekayat 5 from Chapter 8 of Golestan of Saadi

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Hekayat 5 from Chapter 8 of Golestan of Saadi

An impious scholar is like a blind torchbearer. He who wastes his life in vain gains nothing,Spending his gold but purchasing no treasure.

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hamed
@hamed Nov. 18, 2024, 6:22 p.m.


New Hekayat Posted: Hekayat 4 from Chapter 8 of Golestan of Saadi

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Hekayat 4 from Chapter 8 of Golestan of Saadi

Knowledge is meant to cultivate faith,Not to be exploited for worldly gain. Whoever trades away piety, learning, and abstinence,Gathers a heap only to see it consumed by flames.

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hamed
@hamed Nov. 18, 2024, 6:20 p.m.


New Hekayat Posted: Hekayat 3 from Chapter 8 of Golestan of Saadi

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Hekayat 3 from Chapter 8 of Golestan of Saadi

Two types of people labor in vain and strive without benefit:One who hoards wealth but does not use it,And another who gains knowledge but does not act upon it. No matter how much knowledge you acquire,Without action, you remain ignorant. Such a person is neither a true scholar nor wise,But…

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hamed
@hamed Nov. 18, 2024, 6:17 p.m.


New Hekayat Posted: Hekayat 2 from Chapter 8 of Golestan of Saadi

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Hekayat 2 from Chapter 8 of Golestan of Saadi

Moses, peace be upon him, advised Qarun (Korah):"Do good as God has done good to you."But Qarun did not listen, and in the end, you have heard what became of him. The one who sowed no good deeds with his gold and silver,In the end, lost himself over that same…

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hamed
@hamed Nov. 18, 2024, 6:14 p.m.


New Hekayat Posted: Hekayat 1 from Chapter 8 of Golestan of Saadi

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Hekayat 1 from Chapter 8 of Golestan of Saadi

Wealth is meant to bring comfort to life, not life to be spent accumulating wealth. A wise man was asked, "Who is fortunate, and what defines misfortune?"He replied, "The fortunate is one who enjoys and sows (for the future), and the unfortunate is one who dies and leaves (everything) behind."…

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hamed
@hamed Nov. 18, 2024, 6:10 p.m.


New Ghazal Posted: Whoever is ensnared by love's lasso, Ghazal 30 by Saadi

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Whoever is ensnared by love's lasso, Ghazal 30 by Saadi

Description: In this ghazal, Saadi explores the transformative power of love, presenting it as a force that demands total surrender and reshapes the soul. He reflects on how true humanity is achieved through the trials of love, drawing a parallel to the process of refining silver. Saadi suggests that the path of love often leads to the loss of worldly attachments but yields spiritual fulfillment. Despite the hardships, he expresses gratitude for love’s ability to burn away the superficial and elevate the soul. The poem concludes with a celebration of Saadi’s eloquence, acknowledging the enduring impact of his words on those who seek wisdom and beauty.

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hamed
@hamed Nov. 18, 2024, 6:07 p.m.


New Ghazal Posted: Your graceful movements are perfectly measured, Ghazal 29 by Saadi

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Your graceful movements are perfectly measured, Ghazal 29 by Saadi

Description: This ghazal by Saadi blends themes of love, longing, and the overwhelming power of beauty. The poet admires the beloved's charm and allure, acknowledging the hardship of enduring their indifference. Saadi portrays love as both a blessing and a torment, marveling at the beloved's indescribable beauty and irresistible attraction. The poet yearns for closeness, lamenting the barriers of separation and expressing the agony of sleepless nights spent in longing. The final lines highlight the emotional toll of separation, with Saadi's soul metaphorically melting under its weight. This ghazal captures the timeless nature of love’s trials and its intoxicating allure.

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hamed
@hamed Nov. 18, 2024, 6:04 p.m.


New Ghazal Posted: Drunken, he emerged from the tavern, Ghazal 28 by Hafez

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Drunken, he emerged from the tavern, Ghazal 28 by Hafez

Description: This ghazal by Saadi explores themes of divine intoxication, love, and spiritual surrender. The poet describes a figure emerging from the tavern, symbolic of breaking free from worldly constraints. Casting off the facade of piety and embracing sincerity, the beloved captivates hearts with a burning presence likened to a flame. Saadi reflects on the transformative and all-consuming nature of love, declaring the futility of patience and the fleeting nature of life. The poem concludes with an acceptance of life's impermanence, with Saadi finding solace in the bittersweet embrace of the tavern's wine, a metaphor for divine or existential surrender.

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hamed
@hamed Nov. 18, 2024, 6:01 p.m.


New Ghazal Posted: O moon-faced beauty, do not turn your lovely face away from me. Ghazal 27 by Saadi

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O moon-faced beauty, do not turn your lovely face away from me. Ghazal 27 by Saadi

Description: This ghazal captures the intense longing and admiration of the poet for their beloved, blending dreams and reality. Saadi paints the beloved as a celestial figure, irresistible and cruel in their beauty. The poet laments their unfulfilled desire, comparing their yearning to a parched wanderer deceived by a mirage. The imagery moves between the physical and emotional, illustrating the beloved’s beauty and the torment of love. The poem concludes with Saadi expressing the willingness to endure pain if it means staying close to the beloved, emphasizing the sacrificial nature of true love.

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hamed
@hamed Nov. 18, 2024, 5:53 p.m.


New Ghazal Posted: We lie awake all night, Ghazal 26 by Saadi

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We lie awake all night, Ghazal 26 by Saadi

Description: This ghazal by Saadi Shirazi delves into the trials of love, the torment of separation, and the devotion of a lover. The poet begins with a lament for sleepless nights and contrasts the life-giving water reaching distant lands with the metaphorical drought of the heart. He critiques the beloved's inconsistency and describes the physical and emotional toll of love’s longing. Saadi eloquently portrays how the lover finds solace even in suffering, drawing comparisons between the sweetness of poison from the beloved's hands and the unwavering resolve of a madman in love. The poem concludes with the declaration that separation from the beloved is the ultimate agony, highlighting the poet's unyielding attachment.

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hamed
@hamed Nov. 15, 2024, 7:45 p.m.


New Hekayat Posted: Saadi’s Debate with a Critic on Wealth and Poverty

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Saadi’s Debate with a Critic on Wealth and Poverty

Saadi’s Debate with a Critic on Wealth and Poverty I saw a man clad in the garb of dervishes but lacking their essence. He was sitting in a gathering, unleashing bitter words, and had opened a book of grievances, criticizing the wealthy. He concluded, "The hands of the poor are…

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hamed
@hamed Nov. 15, 2024, 7:39 p.m.


New Hekayat Posted: Hekayat 19 from Chapter 7 of Golestan of Saadi

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Hekayat 19 from Chapter 7 of Golestan of Saadi

I asked a wise man about the meaning of the hadith: “The greatest enemy of yours is your own self, which resides within you.” He replied: “This is because any enemy you treat with kindness can turn into a friend, except for your own self. The more indulgence you show…

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hamed
@hamed Nov. 15, 2024, 7:37 p.m.


New Hekayat Posted: Hekayat 18 from Chapter 7 of Golestan of Saadi

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Hekayat 18 from Chapter 7 of Golestan of Saadi

I saw the son of a wealthy man sitting by his father's grave, arguing with the son of a poor man. The rich man's son boasted, "Our family tomb is adorned with heavy stonework, colorful inscriptions, marble carpeting, and turquoise bricks. What does your father's grave look like? Just a…

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hamed
@hamed Nov. 15, 2024, 7:34 p.m.


New Ghazal Posted: If you were to unveil your face in the city's midst, Ghazal 25 by Saadi

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If you were to unveil your face in the city's midst, Ghazal 25 by Saadi

Description: This ghazal captures Saadi's exploration of the irresistible power of love and beauty. The poet expresses how the beloved's allure transcends veils and captivates not only him but also countless others. Saadi illustrates his helplessness against the beloved's charm, comparing his suffering to that of a fish out of water. The interplay between reproach and admiration reflects the paradox of love's joy and torment. The closing lines underscore the universality of desire, dismissing false claims of resistance to the beloved's pull, further emphasizing love's inevitability and profound grip on the human spirit.

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hamed
@hamed Nov. 15, 2024, 7:31 p.m.


New Ghazal Posted: Since I pledged myself to you, I’ve broken all other bonds, Ghazal 24 by Saadi

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Since I pledged myself to you, I’ve broken all other bonds, Ghazal 24 by Saadi

Description: In this ghazal, Saadi Shirazi explores the overwhelming power of love and devotion. The poet vividly depicts how thoughts of the beloved overpower the beauty of nature and transform all other bonds into irrelevance. Saadi reflects on the suffering and sacrifices endured in love, viewing them as necessary and even noble when the beloved is as sacred as a divine figure. He boldly defends his choice to speak of love, confident that his words will resonate for generations. The poem intertwines spiritual longing with earthly love, capturing Saadi's profound understanding of passion and devotion.

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hamed
@hamed Nov. 15, 2024, 7:28 p.m.


New Ghazal Posted: If you grew weary of our company, we shall depart, Ghazal 23 by Saadi

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If you grew weary of our company, we shall depart, Ghazal 23 by Saadi

Description: This ghazal by Saadi Shirazi reflects themes of unrequited love, devotion, and introspection. The poet gracefully accepts rejection, offering unwavering service and expressing how deeply the beloved's presence is ingrained in their spirit. Saadi uses metaphors of brokenness and drunkenness to convey the depth of his surrender and emotional vulnerability. The ghazal closes with a note of hope, suggesting that even faithless hearts might one day find the path to redemption, subtly alluding to the transformative power of love.

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hamed
@hamed Nov. 15, 2024, 7:26 p.m.


New Ghazal Posted: O you, who align beauty with virtue sublime, Ghazal 22 by Saadi

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O you, who align beauty with virtue sublime, Ghazal 22 by Saadi

Description: In this romantic ghazal, Saadi Shirazi marvels at the unmatched beauty and captivating allure of the beloved. He praises their physical charm and inner grace, comparing them to nature's finest wonders. The poet depicts the uncontrollable pull of love, embracing its joys and pains while dismissing worldly judgments. Saadi emphasizes the irreplaceable presence of the beloved, asserting that no other beauty or lover can take their place. The ghazal closes with a powerful gesture of devotion, showing the poet’s willingness to humble himself entirely in the name of love.

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hamed
@hamed Nov. 15, 2024, 4:49 p.m.


New Video Posted: Ghazaliyat of Hafez Ghazal 073

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Ghazaliyat of Hafez Ghazal 073

Description: Ghazal 073 from Divan of Hafez

There’s no glance that isn’t brightened by your radiant face,
No eye that isn’t grateful for the dust of your threshold.

Those who gaze upon your face are indeed insightful,
But the secret of your tresses is in no one else's head.

If my tear of sorrow turns red, what wonder is that?
Ashamed of my own deed, there is no curtain to draw.

Until a speck of dust from its breeze settles on my skirt,
There is no passing glance that doesn’t stir a storm in my sight.

Until every place doesn’t speak of the dusk of your locks,
I have heard from the morning breeze that there is no dawn.

I am distressed by this turbulent fate, or else,
No one else would benefit from your neighborhood.

From the shyness of your sweet lips, O fountain of nectar,
Now there is no sugar left, drowned in water and sweat.

It is not wise for the secret to be revealed from behind the curtain,
Or else, there would be no news in the gathering of revelers.

A lion becomes a fox in the desert of your love,
Alas, this path where there is no danger.

The water of my eye, which is grateful for the dust of your threshold,
Under a hundred favors of yours, is not dust of a threshold.

There is a little name and trace of existence in me,
Or else, there would be no trace of weakness there.

Other than this fact that Hafez is displeased with you,
There is no art in all of your being.

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hamed
@hamed Nov. 15, 2024, 12:42 p.m.


New Video Posted: Who was Rumi? Biography of the Spiritual Guide and Persian Poet

Check out the latest video from hamed:
Who was Rumi? Biography of the Spiritual Guide and Persian Poet

Description: In this video, I present the most essential facts about the 13th-century Persian poet and mystic, Rumi. Known for his profound poetry and wisdom, Rumi’s work has transcended time, resonating with people around the world and across cultures. His verses focus on love, spirituality, and the inner journey, offering insights into the human soul and our connection to the divine. This video delves into Rumi’s life, his spiritual transformation after meeting Shams of Tabriz, and his most famous works, such as the Masnavi. Discover how Rumi’s legacy lives on, inspiring people through Sufi philosophy and mystic thought. Join me to explore Rumi’s timeless words and how they continue to influence literature, philosophy, and spirituality today.

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